Paul Kolker: media room, 1978 (installation view 2015)
In The Droste Effect, Kolker presents his newest works as an illusion of reading between the lines… or dots as a logical segue from his current exhibition, Flatland Reimagined in which his painting Parochet… a romance of the line and the dot serves as a trailer for the upcoming show. Based upon a digitally imagined universe of particles, dots and pixels, the latter of which we see on our two dimensional display screens and printed pages, Kolker asks several questions: “How do we perceive that which we cannot see when veiled by painted lines?” And,”How do we perceive that which we know is a recursive illusion, of reflections within mirrors, and not real?” And Also, “What is the difference between our perception of the veiled space we can only imagine but do not see and our perception of the real reflection which is an illusion which we can see?” Finally, “Is seeing, believing?”
Paul Kolker (b. 1935) is a New York based artist with doctorate degrees in medicine and law. He is Emeritus Chief of Cardiothoracic Surgery at North Shore/ LIJ Glen Cove Hospital, having practiced cardiothoracic surgery on Long Island from 1969 to 2013. In October 2001 Kolker moved his Long Island studio to Studio 601, now at the PAUL KOLKER collection, in the Chelsea art district so that he could work with other artists who assist him in his art production, much like his physician assistants, residents and fellows have assisted him as a heart surgeon; and also develop his curatorial skills in orchestrating and directing his exhibitions in his own gallery spaces. The Droste Effect is Kolker’s forty-seventh solo exhibition.
In Paul Kolker: The Droste Effect, twenty paintings and sculptures are on view at the PAUL KOLKER collection from April 23 through July 3, 2015 at 511 West 25th Street in Chelsea adjacent to the High Line between Tenth and Eleventh Avenues. For further information please email: info@paulkolker.com